Neue Galerie. Liane Augustin - Paris Midnight. Van lantarenpalen moet je het hebben. John Peel, 7th July Sonny Simmons — Good night and sleep well. Ultraschall Cellulite — kaufen ohne Vergleich? Ibrahim Khalil Shihab's Spring reissued. Bored Lawyer. Sakura - The Beast Inside Belgium Sweet and Smooth Highlife. On Youtube The Solar Lodge. Jazz vs. Rock and Roll. Glod - Glod DoGday Recording, Syd Barrett Guitar Playing Legacy. Dick Goddard's Wintery Forest Revisited.
New Orleans Garden District Hotels. David Bowie:A Live Review. The Wray boys did some singing at the same church services where their mother, a full-blooded Shawnee Indian, preached the gospel. Link picked up some early guitar lessons when he was eight from an African American slide specialist called Hambone, who taught him the rudiments of how to play the blues. Finally back in the U. But he was never quite able to duplicate the elegant, complex technique of his hero, Chet Atkins, so he developed his own mind-melting attack.
A connection with pioneering country broadcaster Connie B. For all its political sophistication, D. In addition to the personable Dean, Marvin Rainwater and guitarist extraordinaire Roy Clark were part of the bustling scene. Starday released the masters through its custom service rather than issuing them on the main label, intending them for regional exposure only with the manufacturing costs paid by the artists themselves. Soft White Underbelly had recorded demos for Elektra Records in with original vocalist Les Braunstein, but when he left the group they re-recorded the songs in New York with new vocalist, former roadie Eric Bloom.
The 9-song album was turned in to Elektra completed, mixed and mastered, ready for release, but for reasons unclear Elektra decided not to release the recordings and ended their contract. Back to square one, the band then recorded new demos of several of the songs for Columbia Records in hopes of scoring a record deal, but after being rejected by Columbia as well, manager Sandy Pearlman convinced Elektra Records to give the band one more shot, and the group traveled to California in February to begin reworking and re-recording the songs for a full-length album, along the way changing their name to Oaxaca, and then later to The Stalk-Forrest Group.
After being presented with the two different versions of the album the one recorded in , and the one that featured the new re-worked February arrangements , Elektra once again chose not to release it, and dropped the band from the label again. This was partly due to the band's manager Sandy Pearlman refusing to allow Elektra to release the album that the band cut in California, leading to no gigs and poverty for many months during the spring and summer of Rumble 6.
Ain't That Loving You Baby 7. Jack The Ripper 8. The Black Widow 9. Big City After Dark Run Chicken Run The Shadow Knows Deuces Wild Hang On Ace Of Spades I'm Branded Batman Theme Climbing A High Wall Switchblade Preludio 5. Afrolise 6. Air 7. Pathetique I 8. Pathetique II 9. Pathetique III Salsa No V Czardas Etude Carmen Cubana Flight Of The Bumble Bee Guten Abend Anthem They made more records - one I will be checking out in the near future is Classic Meets Cuba: Symphonic Salsa available here : same concept, some tracks overlap with the one above.
They also recorded Jazz Meets Cuba - I am kinda sceptical about that one. After all, jazz met Cuba some 50 years ago. If I'd want to hear latin jazz, I'll go get my Gillespie and Machito records. Still, if it's half as good as Classic PS Once we're on the subject of the kitchy classics covers, I'd like to remind everybody of the excellent album Let's Go Classics by the japanese guitarist and surf music titan Takeshi Terauchi AKA Terry and the Bunnies - I shared his music here before.
The songs are downloadable individually. If you can't decide whether you want it or not, I recommend you try Fur Elise. Labels: instro , jazz , latin. This one, Escape , is quite experimental - it's more of two guys fooling around in the studio while the tape is rolling kind of record, somewhat like Fripp's No Pussyfooting stuff. Quine himself called the first track, minute-long Flagpole Jitters, "intentionally abrasive" or some such. It sounds like something a college-radio DJ would put on to broadcast his coolness credentials while he's out with a reefer.
Jody Harris and Robert Quine - Escape 66 mb on sharebee 1. Flagpole Jitters 2. Don't Throw That Knife 3. Up in Daisy's Penthouse 4. Termites of 5. Pardon My Clutch. Labels: bob quine , far out , instro. There's not much to say about this one. The best Waits LP, possibly the best thing that the 80's produced.
I first heard it in high school, and this is the only album that I did not outgrow. A friend lent me a Hendrix tape, and on the other side it had this Waits dude. All other music from my high school years became obsolete or irrelevant, but this one is truly timeless. I don't know why I should share it, I bet everybody has it already. But for the sake of Quine retrospective, I'll put it up.
Marc Ribot is playing here on most songs, and all other Waits guitarists try to emulate his sound here ever since. Some useless pop-culture trivia: in the movie Eternal Sunshine of the Spotless Mind, there is an episode where the main character is getting his memories erased, and all the things that he is forgetting flash on the screen in sequence. One of them was the cover of Rain Dogs. I was horrified, I truly was.
How can someone voluntarily forget Rain Dogs? For me, it would be taking a cornerstone from under myself. Singapore Clap Hands Cemetery Polka Jockey Full Of Bourbon Tango 'Til They're Sore Big Black Mariah Hang Down Your Head Time Rain Dogs Midtown [Instrumental] Gun Street Girl Union Square Blind Love Walking Spanish Downtown Train Bride Of Rain Dog [Instrumental]
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